“It is truly a dream come true,” says Reed Van Dyk, whose directorial feature debut, “Atonement,” unspools in Directors’ Fortnight. “If I had any dream in film, it was to present a movie at Cannes, and I have a long-standing relationship with this section of the festival. There’s been a lot of movies from Fortnight […]
“It is truly a dream come true,” says Reed Van Dyk, whose directorial feature debut, “Atonement,” unspools in Directors’ Fortnight. “If I had any dream in film, it was to present a movie at Cannes, and I have a long-standing relationship with this section of the festival. There’s been a lot of movies from Fortnight […]
“It is truly a dream come true,” says Reed Van Dyk, whose directorial feature debut, “Atonement,” unspools in Directors’ Fortnight. “If I had any dream in film, it was to present a movie at Cannes, and I have a long-standing relationship with this section of the festival. There’s been a lot of movies from Fortnight […]
