In Rebecca Perry’s Booker shortlisted May We Feed the King, a woman who suffers from a loneliness, its source purposefully kept fuzzy, is devoted to her remarkably niche work of reconstructing history through staged meals. The protagonist knows where to
In Rebecca Perry’s Booker shortlisted May We Feed the King, a woman who suffers from a loneliness, its source purposefully kept fuzzy, is devoted to her remarkably niche work of reconstructing history through staged meals. The protagonist knows where to
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