Our feast of fabulous reviews this week includes Dwight Garner on Annie Proulx Stories, Clare Clark on Louise Kennedy’s Stations, John Semly on William Gass’s The Tunnel, Daniel Mason on Tom Drury’s West of Loveland, and Nick Holdstock on William T. Vollman’s A Table for
Our feast of fabulous reviews this week includes Dwight Garner on Annie Proulx Stories, Clare Clark on Louise Kennedy’s Stations, John Semly on William Gass’s The Tunnel, Daniel Mason on Tom Drury’s West of Loveland, and Nick Holdstock on William T. Vollman’s A Table for
Our mishmash of magnificent reviews this week includes Junot Díaz on Jane Schoenbrun’s Public Access Afterworld, Kevin Power on Yiyun Li’s Music Against the Night, Sarah Chihaya on Deborah Lutz’s This Dark Night, Anna Louie Sussman on Sarah Anderson’s Fallow, and Kathryn Schulz on
Our grab bag of gorgeous reviews this week includes Sam Thielman on Lisa Hanawalt’s I Can’t Stop Thinking About Horses and Sex, B. D. McClay on Chad Harbach’s The Brightness, Meghan O’Gieblyn’s on Claire-Louise Bennett’s Kiss Kiss, Bye-Bye, James Wood on Meghan O’Gieblyn’s Will
Our quintet of quality reviews this week includes Joanna Scutts on Shawn Gude’s American Socialist, Dwight Garner on Barbara Trapido’s Brother of the More Famous Jack, Rhian Sasseen on Meghan O’Gieblyn’s Will and Attention, Lily Meyer on Madeline ffitch’s Avalon, Rise, and Max Callimanopulos
Our fivesome of fantastic reviews this week includes, Zain Khalid on Ayad Akhtar’s The Radiance, Franklin Schneider on MrBeast and James Patterson’s The Most Dangerous Games, Jason Mott on T. Geronimo Johnson’s The Occidental Book of the Dead, Sam Worley
Our five-alarm fire of fabulous reviews this week includes Andrew Martin on Patrick deWitt’s Dodge City, Zito Madu on Chuck Klosterman’s Football, A.O. Scott on Ayad Akhtar’s The Radiance, Emma Hager on Devyn Defoe’s Burnside, and Melissa Harrison on Rebecca Perry’s May We Feed the
Our smorgasbord of sumptuous reviews this week includes Anahid Nersessian on Ashton Politanoff’s Dad Had a Bad Day, Peter Beinart on Akbar Shahid Ahmed’s Crossing the Red Line, Jennifer Wilson on Lars Anderson’s Brady, Sanjena Sathian on Min Jin Lee’s American Hagwon, and Jeff
Our mixum-gatherum of magnificent reviews this week includes Emma Alpern on Emma Cline’s Switzy, T.M. Brown on Danny McBride’s Thrilling Tales of Modern Men, Sara Collins on Sebastian Barry’s The Newer World, Joy Williams on Lance Richardson’s True Nature, and Tembe Denton-Hurst on
Our bevy of brilliant reviews this week includes Dwight Garner on Marlon James’s The Disappearers, Kate Tuttle on John Dos Passos’s U.S.A. trilogy, Parul Sehgal on Rachel Cusk’s The Life of M, Laura Miller on Kai Bird’s American Scoundrel, and Alexandra Harris on
Our smorgasbord of sumptuous reviews this week includes Megan Nolan on Jon Ronson’s The Castle, Kasia Boddy on William Kennedy’s Albany Trilogy, Jonathan Dee on Kurt Andersen’s The Breakup, Johanna Thomas-Corr on Meg Mason’s Sophie, Standing There, and Ali Winston on Gil Durán’s The
Our feast of fabulous reviews this week includes Becca Rothfeld on Rachel Cusk’s Life of M, Emmet Fraizer on Jordy Rosenberg’s Night Night Fawn, Charlotte Wood on Dorthe Nors’s Range, Walton Muyumba on John Edgar Wideman’s Languages of Home, and Elizabeth Harper on
Our quintet of quality reviews this week includes Lauren LeBlanc on Téa Obreht’s Sunrise, Jane Hu on Chang-Rae Lee’s A Tender Age, Stephanie Burt on Marlon James’s The Disappearers, Laura Miller on Rachel Cusk’s Life of M, and Julia Case-Levine on Daniel Poppick’s The
Our mixum gatherum of marvelous reviews this week includes Rachel Vorona Cote on Paul Yoon’s Etna, Anahid Nersessian on Jorie Graham’s Killing Spree, Daniel Felsenthal on Molly Crabapple’s Here Where We Live Is Our Country, Walton Muyumba on on Claudia Rankine’s Triage, and Hermione
Our feast of fabulous reviews this week includes Niela Orr on Colson Whitehead’s Cool Machine, Lily Meyer on Valeria Luiselli’s Beginning Middle End, Jonathan Derbyshire on Emily Eakin’s The Frenchmen, Jamie Quatro on Emilee Hackney’s All That’s Unseen, and Meghan Racklin on Emily Labarge’s Dog
Our tasting menu of terrific reviews this week includes Brandon Taylor on Michael Cunningham’s Unsayable, Grace Byron on Missouri Williams’s The Vivisectors, Alex Shephard on Franklin Foer’s How Soccer Explains the World, Robert Rubsam on Amitav Ghosh’s Ghost-Eye, and Charlotte Shane on Sean
Our fivesome of fabulous reviews this week includes Scaachi Khol on Dave Portnoy’s Cancel Me If You Can, James Lasdun on Irvine Welsh’s Men in Love, Gabriel Winslow-Yost on George Saunders’s Vigil, Dan Piepenbring on David Thompson’s A Sudden Flicker of Light, and
Our quintet of quality reviews this week includes Dwight Garner on Colin Asher’s The Midnight Special, Hamilton Cain on Teddy Wayne’s The Au Pair, Michael Donkor on Keith Ridgway’s Dooneen, Stephen Marche on Cory Doctorow’s The Reverse Centaur’s Guide to Life After AI, and
Our basket of brilliant reviews this week includes Ginny Hogan on JD Vance’s Communion, Fintan O’Toole on Maggie Haverman and Jonathan Swan’s Regime Change, Kathryn Hughes on James Lasdun’s The Family Man, Lily Meyer on Simon Paré-Poupart’s Trash!, and Dwight Garner on Amy Edelman
Our quintet of quality reviews this week includes Hannah Gold on Missouri Williams’s The Vivisectors, Rand Richards Cooper on Joyce Carol Oates’s The Frenzy, Jenessa Abrams on Emily LaBarge’s Dog Days, Lauretta Charlton on Elizabeth Stordeur Pryor’s Something We Said,
Our flock of fabulous reviews this week includes Scaachi Khol on Jill Biden’s View From the East Wing, Lincoln Michel on Deb Olin Unferth’s Earth 7, Michael Faber on M. John Harrison’s The End of Everything, William T. Vollmann on
Our basket of brilliant reviews this week includes, Katy Waldman on Maggie O’Farrell’s Land, Hamilton Cain on Josh Weil’s What Came West, Adam Gopnik on Thomas W. Laqueur’s The Dog’s Gaze: A Visual History, Emmett Rensin on Zayd Ayers Dohrn’s
Our feast of fabulous reviews this week includes Jessica Bennett on MJ Corey’s Dekonstructing the Kardashians, Lily Meyer on Karen Tei Yamashita’s Questions 27 & 28, Ron Charles on Maggie O’Farrell’s Land, Stephanie Wambugu on Vigdis Hjorth’s Repetition, and Fatima Bhutto on Meena Kandasamy’s Fieldwork
Our favorite criticism of the week includes Anand Giridharadas on Theo Baker’s How to Rule the World, Hamilton Cain on Ali Smith’s Glyph, Thomas Mallon on Lois Romano’s An Inconvenient Widow, Kate Preziosi on Paige Lewis’s Canon, and Alex Tan on
Our smorgasbord of sumptuous reviews this week includes Hermione Hoby on Harriet Clark’s The Hill, Avi Shlaim on Omer Bartov’s Israel: What Went Wrong, Parul Sehgal on Gisèle Pelicot’s A Hymn to Life, Nicolás Medina Mora on Álvaro Enrigue’s Now I Surrender, Sophie Gilbert
Our favorite criticism of the week includes James Wood on Harriet Clark’s The Hill, Laura Miller on James Lasdun’s The Family Man, Sam Worley on Douglas Stuart’s John of John, Colin Grant on Kimberlé Williams Crenshaw’s Backtalker, and Adam Begley
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