Faces are saved, barely, as the body goes wholly to ruin in “Savage House,” a mordantly amusing tale of pretense, profligacy and the literally maddening pressures of the English class ladder — written and directed with surgical cruelty by, as it happens, an American. Arriving 12 years after his debut, the derivative indie romcom “The […]
Faces are saved, barely, as the body goes wholly to ruin in “Savage House,” a mordantly amusing tale of pretense, profligacy and the literally maddening pressures of the English class ladder — written and directed with surgical cruelty by, as it happens, an American. Arriving 12 years after his debut, the derivative indie romcom “The […]
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Faces are saved, barely, as the body goes wholly to ruin in “Savage House,” a mordantly amusing tale of pretense, profligacy and the literally maddening pressures of the English class ladder — written and directed with surgical cruelty by, as it happens, an American. Arriving 12 years after his debut, the derivative indie romcom “The […]
