For a horror movie derived from a concept as singularly contemporary as an internet myth, A24’s Backrooms is grounded in a mourning for lost things that could only be called conservative. Like its foundational web-based myth — which, as far as I can tell from my position as one relatively estranged from internet subcultures, refers […]
For a horror movie derived from a concept as singularly contemporary as an internet myth, A24’s Backrooms is grounded in a mourning for lost things that could only be called conservative. Like its foundational web-based myth — which, as far as I can tell from my position as one relatively estranged from internet subcultures, refers […]
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