"Behemoth!" is a classical-musician movie. It’s a midlife-crisis movie. It’s a romantic mystery. It’s Tony Gilroy fiddling around with pure movie form.
"Behemoth!" is a classical-musician movie. It’s a midlife-crisis movie. It’s a romantic mystery. It’s Tony Gilroy fiddling around with pure movie form.
<iframe src="https://statesidedaily.com/embed/cluster/523384cf713d3baf66ead9ae01b2c36af8b7acf6" width="100%" height="320" style="border:0;max-width:680px" loading="lazy" title="‘Behemoth!’ Review: Pedro Pascal Is a Classical Cellist Skating Through a Midlife Crisis in Tony Gilroy’s Elevated Bauble of a Music Drama"></iframe>
"Behemoth!" is a classical-musician movie. It’s a midlife-crisis movie. It’s a romantic mystery. It’s Tony Gilroy fiddling around with pure movie form.
