More than twenty years after co-writing a script everyone said was too subversive to be made, the filmmaker launches his genre-driven media company with that very movie (and no studio notes).
More than twenty years after co-writing a script everyone said was too subversive to be made, the filmmaker launches his genre-driven media company with that very movie (and no studio notes).
<iframe src="https://statesidedaily.com/embed/cluster/5367a00a62ae0fa5e9c6a064288b078340be2778" width="100%" height="320" style="border:0;max-width:680px" loading="lazy" title="Eli Roth Talks the Unrated Gamble of ‘Ice Cream Man’ and What He Hopes the Town Learns From ‘Obsession’"></iframe>
More than twenty years after co-writing a script everyone said was too subversive to be made, the filmmaker launches his genre-driven media company with that very movie (and no studio notes).
