There's an old Sam Raimi profile in the New Yorker I think about quite a bit. This is because, mid-way through the piece, Raimi says one of the most interesting things I've ever heard a film-maker, or any kind of creative person, put into words. Read more
There's an old Sam Raimi profile in the New Yorker I think about quite a bit. This is because, mid-way through the piece, Raimi says one of the most interesting things I've ever heard a film-maker, or any kind of creative person, put into words. Read more
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