Disclosure Day Review
Disclosure Day is vintage Spielberg, and even if it stumbles a bit at the finish line, it's still an original, big-budget science fiction conversation-starter from one of cinema’s all-time greats.
Disclosure Day is vintage Spielberg, and even if it stumbles a bit at the finish line, it's still an original, big-budget science fiction conversation-starter from one of cinema’s all-time greats.
Disclosure Day is vintage Spielberg, and even if it stumbles a bit at the finish line, it's still an original, big-budget science fiction conversation-starter from one of cinema’s all-time greats.
Now 79, Steven Spielberg has spent the past few years dredging up his roots. His previous film, The Fabelmans, was a cinematic version of an autobiographical novel, following the course of his life from age 6 to age 18. What was weird about The Fabelmans is that usually such works are the first publications of a budding writer rather than a septuagenarian’s career capstone. Now he’s gone and made a movie about aliens called Disclosure Day, so you might think it’s a return to his glory days as t…
<iframe src="https://statesidedaily.com/embed/cluster/94ae425a47d3a08ad9013b00b499ef61d79e2551" width="100%" height="320" style="border:0;max-width:680px" loading="lazy" title="Disclosure Day Review"></iframe>

