Our mixum gatherum of marvelous reviews this week includes Rachel Vorona Cote on Paul Yoon’s Etna, Anahid Nersessian on Jorie Graham’s Killing Spree, Daniel Felsenthal on Molly Crabapple’s Here Where We Live Is Our Country, Walton Muyumba on on Claudia Rankine’s Triage, and Hermione
Our mixum gatherum of marvelous reviews this week includes Rachel Vorona Cote on Paul Yoon’s Etna, Anahid Nersessian on Jorie Graham’s Killing Spree, Daniel Felsenthal on Molly Crabapple’s Here Where We Live Is Our Country, Walton Muyumba on on Claudia Rankine’s Triage, and Hermione
Our feast of fabulous reviews this week includes Niela Orr on Colson Whitehead’s Cool Machine, Lily Meyer on Valeria Luiselli’s Beginning Middle End, Jonathan Derbyshire on Emily Eakin’s The Frenchmen, Jamie Quatro on Emilee Hackney’s All That’s Unseen, and Meghan Racklin on Emily Labarge’s Dog
Our tasting menu of terrific reviews this week includes Brandon Taylor on Michael Cunningham’s Unsayable, Grace Byron on Missouri Williams’s The Vivisectors, Alex Shephard on Franklin Foer’s How Soccer Explains the World, Robert Rubsam on Amitav Ghosh’s Ghost-Eye, and Charlotte Shane on Sean
Our fivesome of fabulous reviews this week includes Scaachi Khol on Dave Portnoy’s Cancel Me If You Can, James Lasdun on Irvine Welsh’s Men in Love, Gabriel Winslow-Yost on George Saunders’s Vigil, Dan Piepenbring on David Thompson’s A Sudden Flicker of Light, and
Our quintet of quality reviews this week includes Dwight Garner on Colin Asher’s The Midnight Special, Hamilton Cain on Teddy Wayne’s The Au Pair, Michael Donkor on Keith Ridgway’s Dooneen, Stephen Marche on Cory Doctorow’s The Reverse Centaur’s Guide to Life After AI, and
Our basket of brilliant reviews this week includes Ginny Hogan on JD Vance’s Communion, Fintan O’Toole on Maggie Haverman and Jonathan Swan’s Regime Change, Kathryn Hughes on James Lasdun’s The Family Man, Lily Meyer on Simon Paré-Poupart’s Trash!, and Dwight Garner on Amy Edelman
Our quintet of quality reviews this week includes Hannah Gold on Missouri Williams’s The Vivisectors, Rand Richards Cooper on Joyce Carol Oates’s The Frenzy, Jenessa Abrams on Emily LaBarge’s Dog Days, Lauretta Charlton on Elizabeth Stordeur Pryor’s Something We Said,
Our flock of fabulous reviews this week includes Scaachi Khol on Jill Biden’s View From the East Wing, Lincoln Michel on Deb Olin Unferth’s Earth 7, Michael Faber on M. John Harrison’s The End of Everything, William T. Vollmann on
Our basket of brilliant reviews this week includes, Katy Waldman on Maggie O’Farrell’s Land, Hamilton Cain on Josh Weil’s What Came West, Adam Gopnik on Thomas W. Laqueur’s The Dog’s Gaze: A Visual History, Emmett Rensin on Zayd Ayers Dohrn’s
Our feast of fabulous reviews this week includes Jessica Bennett on MJ Corey’s Dekonstructing the Kardashians, Lily Meyer on Karen Tei Yamashita’s Questions 27 & 28, Ron Charles on Maggie O’Farrell’s Land, Stephanie Wambugu on Vigdis Hjorth’s Repetition, and Fatima Bhutto on Meena Kandasamy’s Fieldwork
Our favorite criticism of the week includes Anand Giridharadas on Theo Baker’s How to Rule the World, Hamilton Cain on Ali Smith’s Glyph, Thomas Mallon on Lois Romano’s An Inconvenient Widow, Kate Preziosi on Paige Lewis’s Canon, and Alex Tan on
Our smorgasbord of sumptuous reviews this week includes Hermione Hoby on Harriet Clark’s The Hill, Avi Shlaim on Omer Bartov’s Israel: What Went Wrong, Parul Sehgal on Gisèle Pelicot’s A Hymn to Life, Nicolás Medina Mora on Álvaro Enrigue’s Now I Surrender, Sophie Gilbert
Our favorite criticism of the week includes James Wood on Harriet Clark’s The Hill, Laura Miller on James Lasdun’s The Family Man, Sam Worley on Douglas Stuart’s John of John, Colin Grant on Kimberlé Williams Crenshaw’s Backtalker, and Adam Begley
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