Mollye Asher ('Nomadland') and Greg Shapiro ('A House of Dynamite') discuss why sometimes the studio note is right, how Bigelow makes compromise easy and what 'Backrooms' and 'Obsession' tell us about the future of cinema.
Mollye Asher ('Nomadland') and Greg Shapiro ('A House of Dynamite') discuss why sometimes the studio note is right, how Bigelow makes compromise easy and what 'Backrooms' and 'Obsession' tell us about the future of cinema.
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Mollye Asher ('Nomadland') and Greg Shapiro ('A House of Dynamite') discuss why sometimes the studio note is right, how Bigelow makes compromise easy and what 'Backrooms' and 'Obsession' tell us about the future of cinema.
