“Being Heumann” opens on a New York sidewalk that doesn’t allow Judy Heumann to climb it. There’s no curb cut or ramp. Just a woman and her wheelchair. Director Siân Heder holds on it — and then Judy gives the middle finger. And it immediately hooks the viewer in for the ride. At least that […]
“Being Heumann” opens on a New York sidewalk that doesn’t allow Judy Heumann to climb it. There’s no curb cut or ramp. Just a woman and her wheelchair. Director Siân Heder holds on it — and then Judy gives the middle finger. And it immediately hooks the viewer in for the ride. At least that […]
<iframe src="https://statesidedaily.com/embed/cluster/b4c442825455eebfc7b53c1f16157dcda395a265" width="100%" height="320" style="border:0;max-width:680px" loading="lazy" title="TIFF Opens With Siân Heder’s Crowd-Pleasing ‘Being Heumann’ — and Apple Has Its Next Oscar Contender"></iframe>
“Being Heumann” opens on a New York sidewalk that doesn’t allow Judy Heumann to climb it. There’s no curb cut or ramp. Just a woman and her wheelchair. Director Siân Heder holds on it — and then Judy gives the middle finger. And it immediately hooks the viewer in for the ride. At least that […]
