As with most operas, the story was never the primary selling point of “Carmen,” so to adapt it with the music heavily downplayed in favor of the narrative is an audacious move; refashioning this tale of murderous, hot-blooded amour fou as a children’s film, doubly so. But Georges Bizet’s 1875 opera has always been an […]
As with most operas, the story was never the primary selling point of “Carmen,” so to adapt it with the music heavily downplayed in favor of the narrative is an audacious move; refashioning this tale of murderous, hot-blooded amour fou as a children’s film, doubly so. But Georges Bizet’s 1875 opera has always been an […]
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As with most operas, the story was never the primary selling point of “Carmen,” so to adapt it with the music heavily downplayed in favor of the narrative is an audacious move; refashioning this tale of murderous, hot-blooded amour fou as a children’s film, doubly so. But Georges Bizet’s 1875 opera has always been an […]
