The film starts as a mystery, but once that’s solved, the only real mystery is why Alex Cox tied his film career to a stone marked "retro Marxist Western punk pretension" and then threw that stone into the water and plunged down after it, sinking to the bottom.
The film starts as a mystery, but once that’s solved, the only real mystery is why Alex Cox tied his film career to a stone marked "retro Marxist Western punk pretension" and then threw that stone into the water and plunged down after it, sinking to the bottom.
<iframe src="https://statesidedaily.com/embed/cluster/d2df56e29e465a04cbd68ab88d91ecc4ba67164f" width="100%" height="320" style="border:0;max-width:680px" loading="lazy" title="‘Dead Souls’ Review: Alex Cox Betrays His Talent — Again — in His Latest Arid Didactic Western Doodle"></iframe>
The film starts as a mystery, but once that’s solved, the only real mystery is why Alex Cox tied his film career to a stone marked "retro Marxist Western punk pretension" and then threw that stone into the water and plunged down after it, sinking to the bottom.
