Our flock of fabulous reviews this week includes Scaachi Khol on Jill Biden’s View From the East Wing, Lincoln Michel on Deb Olin Unferth’s Earth 7, Michael Faber on M. John Harrison’s The End of Everything, William T. Vollmann on
Our flock of fabulous reviews this week includes Scaachi Khol on Jill Biden’s View From the East Wing, Lincoln Michel on Deb Olin Unferth’s Earth 7, Michael Faber on M. John Harrison’s The End of Everything, William T. Vollmann on
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Our basket of brilliant reviews this week includes, Katy Waldman on Maggie O’Farrell’s Land, Hamilton Cain on Josh Weil’s What Came West, Adam Gopnik on Thomas W. Laqueur’s The Dog’s Gaze: A Visual History, Emmett Rensin on Zayd Ayers Dohrn’s
Our feast of fabulous reviews this week includes Jessica Bennett on MJ Corey’s Dekonstructing the Kardashians, Lily Meyer on Karen Tei Yamashita’s Questions 27 & 28, Ron Charles on Maggie O’Farrell’s Land, Stephanie Wambugu on Vigdis Hjorth’s Repetition, and Fatima Bhutto on Meena Kandasamy’s Fieldwork
Our favorite criticism of the week includes Anand Giridharadas on Theo Baker’s How to Rule the World, Hamilton Cain on Ali Smith’s Glyph, Thomas Mallon on Lois Romano’s An Inconvenient Widow, Kate Preziosi on Paige Lewis’s Canon, and Alex Tan on
Our smorgasbord of sumptuous reviews this week includes Hermione Hoby on Harriet Clark’s The Hill, Avi Shlaim on Omer Bartov’s Israel: What Went Wrong, Parul Sehgal on Gisèle Pelicot’s A Hymn to Life, Nicolás Medina Mora on Álvaro Enrigue’s Now I Surrender, Sophie Gilbert
Our favorite criticism of the week includes James Wood on Harriet Clark’s The Hill, Laura Miller on James Lasdun’s The Family Man, Sam Worley on Douglas Stuart’s John of John, Colin Grant on Kimberlé Williams Crenshaw’s Backtalker, and Adam Begley
