In “Masc,” director Bertil Nilsson pulls off a nifty trick: He observes an observer. Usually a film’s protagonist has the dominant POV, but here, Robin (Joshua Griffin) is trying to find his personality by observing other men in his orbit. He almost never initiates the action and is mostly reticent about his reactions, but he […]
In “Masc,” director Bertil Nilsson pulls off a nifty trick: He observes an observer. Usually a film’s protagonist has the dominant POV, but here, Robin (Joshua Griffin) is trying to find his personality by observing other men in his orbit. He almost never initiates the action and is mostly reticent about his reactions, but he […]
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In “Masc,” director Bertil Nilsson pulls off a nifty trick: He observes an observer. Usually a film’s protagonist has the dominant POV, but here, Robin (Joshua Griffin) is trying to find his personality by observing other men in his orbit. He almost never initiates the action and is mostly reticent about his reactions, but he […]
