Tony Gilroy had the speech ready on his way to meet Pedro Pascal. He was rehearsing it in the car on the way to lunch. Oscar Isaac was out of “Behemoth!,” lost to what Gilroy calls “a traffic jam between ‘Frankenstein’ and awards,” and the writer-director had already pushed the start date as far as […]
Tony Gilroy had the speech ready on his way to meet Pedro Pascal. He was rehearsing it in the car on the way to lunch. Oscar Isaac was out of “Behemoth!,” lost to what Gilroy calls “a traffic jam between ‘Frankenstein’ and awards,” and the writer-director had already pushed the start date as far as […]
<iframe src="https://statesidedaily.com/embed/cluster/e1525e4f62684656bce0429a69f2d6abf2a4bb69" width="100%" height="320" style="border:0;max-width:680px" loading="lazy" title="Tony Gilroy on the Lunch With Pedro Pascal That Saved ‘Behemoth!’ and How the Film Explores ‘New Varieties of Loneliness’"></iframe>
Tony Gilroy had the speech ready on his way to meet Pedro Pascal. He was rehearsing it in the car on the way to lunch. Oscar Isaac was out of “Behemoth!,” lost to what Gilroy calls “a traffic jam between ‘Frankenstein’ and awards,” and the writer-director had already pushed the start date as far as […]
