“Objet a” was Lacan’s term for the lack, the absence, that sets our desires into motion; an object-cause rather than a physical object. If it were the latter, a more apt title for Ann Oren’s delicious new film would be “Object A to Z,” given the impressively vast range of things — everyday and obscure, […]
“Objet a” was Lacan’s term for the lack, the absence, that sets our desires into motion; an object-cause rather than a physical object. If it were the latter, a more apt title for Ann Oren’s delicious new film would be “Object A to Z,” given the impressively vast range of things — everyday and obscure, […]
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“Objet a” was Lacan’s term for the lack, the absence, that sets our desires into motion; an object-cause rather than a physical object. If it were the latter, a more apt title for Ann Oren’s delicious new film would be “Object A to Z,” given the impressively vast range of things — everyday and obscure, […]
