Last weekend, Boots Riley’s I Love Boosters hit theaters, blowing a breath of fresh air into the American cinema. Riley, the funkmaster filmmaker behind 2018’s Sorry to Bother You, is best known for a highly gonzo, “socialist surrealist” aesthetic. And just like his
Last weekend, Boots Riley’s I Love Boosters hit theaters, blowing a breath of fresh air into the American cinema. Riley, the funkmaster filmmaker behind 2018’s Sorry to Bother You, is best known for a highly gonzo, “socialist surrealist” aesthetic. And just like his
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