For Oscar-winning VFX supervisor Paul Lambert Lambert, of all the huge challenges presented by Ryan Gosling space epic “Project Hail Mary,” the most daunting was creating convincing zero gravity. “Zero-G was probably my personal biggest concern going into the movie,” he said at View Conference in Turin, Italy, drilling down on its VFX. “We tried […]
For Oscar-winning VFX supervisor Paul Lambert Lambert, of all the huge challenges presented by Ryan Gosling space epic “Project Hail Mary,” the most daunting was creating convincing zero gravity. “Zero-G was probably my personal biggest concern going into the movie,” he said at View Conference in Turin, Italy, drilling down on its VFX. “We tried […]
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For Oscar-winning VFX supervisor Paul Lambert Lambert, of all the huge challenges presented by Ryan Gosling space epic “Project Hail Mary,” the most daunting was creating convincing zero gravity. “Zero-G was probably my personal biggest concern going into the movie,” he said at View Conference in Turin, Italy, drilling down on its VFX. “We tried […]
