From “The 400 Blows” to “The Florida Project,” kids have made fascinating cinematic subjects. Even if they’re working from scripts, there’s always the sense that they’re not entirely acting — that they can’t help but simply be themselves. The French director Bruno Dumont, a former philosophy professor who broke into Cannes nearly 30 years ago […]
From “The 400 Blows” to “The Florida Project,” kids have made fascinating cinematic subjects. Even if they’re working from scripts, there’s always the sense that they’re not entirely acting — that they can’t help but simply be themselves. The French director Bruno Dumont, a former philosophy professor who broke into Cannes nearly 30 years ago […]
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From “The 400 Blows” to “The Florida Project,” kids have made fascinating cinematic subjects. Even if they’re working from scripts, there’s always the sense that they’re not entirely acting — that they can’t help but simply be themselves. The French director Bruno Dumont, a former philosophy professor who broke into Cannes nearly 30 years ago […]
